倒计时
影片信息
- 状态：HD中字
- 主演：珍妮·艾加特/布莱恩·马歇尔/Clare Sutcliffe/西蒙·沃德/
- 导演：大卫·格瑞尼/
- 年份：1969
- 地区：英国
- 类型：剧情片/剧情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2024-05-29 20:53
- 简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 最新电视剧
- 470
关注公众号观影不迷路
扫一扫用手机访问
9.0
网友评分
146次评分扫一扫用手机访问
剧情简介
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 最新电视剧
为你推荐
换一换- HD中字4.0 Killing Romance/杀人罗曼史/
- 正片1.0滨边美波/北村匠海/福本莉子/赤楚卫二/
- 正片HD4.0老师的白色谎言/
- 超清3.0任素汐/李保田/王子川/张本煜/李勤勤/董博/仁龙/史航/柳小海/刘丹/曹征/赵晓苏/
- 720P超清8.0 Treasure Hunt/
- 已完结8.0乔治·克鲁尼/谢琳·伍德蕾/阿玛拉·米勒/尼克·克劳斯/帕特丽夏·哈斯蒂/凯·哈特·赫明斯/博·布里奇斯/马特·科博伊/马特·埃斯克森/迈克尔·昂吉恩/斯坦顿·约翰斯顿/米尔特·科根/玛丽·伯德桑/罗布·许贝尔/莱尔德·约翰·哈密尔顿/罗伯特·福斯特/马修·里沃德/朱迪·格雷尔/斯科特·迈克尔·摩根/
- 正片HD5.0剑鱼行动/
- HD中字8.0张基龙/蔡秀彬/郑秀晶/赵汉哲/李宇济/柳善/李璟荣/朴哲民/郑熙泰/吴素贤/金美京/安吉江/
- HD1.0蔡卓妍/周柏豪/马里奥·毛瑞尔/惠英红/郑希怡/卫诗雅/郑诗君/纪焕博/卢巧音/雷琛瑜/陆永/林盛斌/小肥/
- 正片HD3.0痴人之爱/Reverse/
- HD中字7.0 乔纳森·本内特/莎拉·杜格代尔/Annabelle Broke/劳拉·索蒂斯/杰夫·古斯塔夫森/Brandi Alexander/Jacqueline Samuda/文森特·罗德里格兹三世/山农·库克/科里·科特/莱拉·麦金托什/罗伯特·莫隆尼/Jordan Buhat/Eric Breker/Milana Wan/埃里克·乐/Zac Bellward/Chris Nowland/
- HD中字8.0 交配後失魂/After Sex/Post Coitum/
- HD中字8.0 杰西卡·朗德斯/特雷弗·多诺万/萨拉·费希尔/斯图尔特·休斯/Roger Dunn/Joanne Jansen/Luxton Handspiker/Ryan Allen/
- HD中字7.0 劳拉·巴苏基/礼萨·拉哈迪安/Chicco Jerikho/Sheila Dara Aisha/皮埃尔/格伦特/Sita Nursanti RSD/露娜·玛雅/Jeremy Thomas/Maya Hasan/Dwi Yan/Sarah Sechan/科尔内略·森尼/Nihna Fitria/Callysta Elvina/Dian Sidik/Erik Lasmono/Tegar Satrya/奇科·库尔尼亚万/卢特沙/德拉·达蒂安/
- HD中字8.0未知
- 正片HD7.0 The House of Flowers: The Movie/
- 正片HD9.0情场现形记/笋盘大骗局(港)/一婊人才(台)/
- HD4.0秀爱/郑镇荣/严泰雄/郑京浩/
- HD6.0 My Love/
- 正片HD4.0 Ground Zero/
- HD中字9.0 Ece Çesmioglu/Aslihan Malbora/Halit Özgür Sari/Enver Ceylan/Kubilay Tunçer/Süreyya Güzel/
- HD2.0于文文/宋宁峰/刘琦/李博/刘奕/尹菲/曹力/佘南南/
- 正片HD9.0城桧吏/
- 正片9.0情約時分秒(港)/
- 正片已完结10.0寻找你/
- 正片3.0恋与接吻亭3/亲亲小站3/
- HD1.0 当男人恋爱时/台湾版/Man in Love/
- HD6.0休·杰克曼/丽贝卡·弗格森/坦迪·牛顿/克利夫·柯蒂斯/玛丽娜·德·塔维拉/吴彦祖/莫让·阿里亚/布莱特·卡伦/娜塔丽·马丁内斯/安吉拉·萨拉弗安/山姆麦地那/朴云龙/韩·索托/雷·埃尔南德斯/安德鲁·马希特/妮可·帕克/朱尔斯·哈特利/伊万·姆巴科普/杰夫·布洛克顿/迈克尔·帕帕约翰/Laci/Broussard/肖恩·卡特·彼得森/托马斯·弗兰西斯·墨菲/让·克劳德·卢耶/特瑞·韦伯/奥图姆·戴尔/迈尔斯·哈姆帕斯/戈登·德克海默/蒂莫西·辛里奇斯/道恩·林恩/托尼·查普曼·斯蒂尔/哈维尔·莫利纳/诺/
- 正片已完结7.0ゴールデンカムイ—北海道刺青囚人争奪編—/
- HD9.0田口智朗/松重丰/光石研/远藤宪一/滨田岳/菜菜绪/高杉真宙/芳根京子/胜村政信/渡边一计/安藤玉惠/近藤芳正/津田宽治/西村雅彦/本宫泰风/菅田俊/小泽仁志/岸井雪乃/木村多江/绪方义博/北村一辉/北香那/有村架纯/天海祐希/役所广司/石丸谦二郎/阿部亮平/宇野祥平/柄本时生/大仓孝二/尾美利德/加藤谅/金子大地/佐佐木希/宍户美和公/志田未来/杉野遥亮/醍醐虎汰朗/泷藤贤一/田中要次/寺岛忍/长谷川京子/林泰文/原田龙二/布施绘里/堀内敬子/观月亚理莎/向井理/村田雄浩/森下能幸/凉/六角精儿/池谷伸/